Back

You are here : Classical Scores > Score details

Sheet music for organ - Johann Sebastian Bach - Contrapunctus 14 für Orgel (aus der Kunst der Fuge)

Click to enlargeJohann Sebastian Bach - Contrapunctus 14 für Orgel (aus der Kunst der Fuge) - (Sheet music)
Buy Johann Sebastian Bach - Contrapunctus 14 fr Orgel (aus der Kunst der Fuge) Close
Johann Sebastian Bach - Contrapunctus 14 fr Orgel (aus der Kunst der Fuge) - Cover
Johann Sebastian Bach - Contrapunctus 14 fr Orgel (aus der Kunst der Fuge) - Cover

£ 9.83

Shipped from the 12-15

Add to basket >>
Infos Description You may like Rating

Johann Sebastian Bach

Contrapunctus 14 fr Orgel (aus der Kunst der Fuge)



  • Instrumentation: Orgel (Organ)
  • Material: PartiturSheet music
  • Publisher:
    Carus Verlag
Glossary
  • Item #:
    CARUS16320
  • Tone: R mineur / D minor / D-moll
  • Binding: kartoniert
  • Number of pages: 20
  • Weight: 91 gr.
  • Publication date: 09/11/2006
  • Co-authors: Bearbeiter(in) : Gncz, Zoltn

Further information

  • Description:


    In 1991 an astonishing discovery was published by Zoltn Gncz answering the question with fairly great certainty how Bach planned the appearance of the fourth subject, the main subject of the cycle: One of the striking features of Contrapunctus 14 is that in this movement Bach applied the stretto of whole expositions. In the exposition of the first three subjects he `programmed` the later permutational stretti, then applied the expositions as `programs`, `algorithms`. However paradoxical, it follows from the logic of composing a quadruple fugue that the combinations joining all four subjects and rendered the latest when performing the work were already completed in the very first stage of composition because the possibility of overlapping the four subjects (1+2+3+4) is the sine qua non of writing a quadruple fugue. The discovery of the permutational matrix was one of the most essential conditions to achieve that the reconstruction of Contrapunctus XIV could come near to the original form planned by Bach / En 1991, Zoltan Gncz publia une dcouverte surprenante, qui indique avec certitude comment Bach avait prvu lapparition du quatrime thme de lArt de la fugue, le thme principal du cycle : la principale caractristique du Contrapunctus 14 est que Bach y utilise les entres en strette pour toutes les expositions. Il `programme` dans lexposition des trois premiers thmes la strette en permutation qui suivra, puis utilise ces expositions en tant que `programmes`, `algorithmes`. Il en rsulte laudition de loeuvre, selon la logique de la composition des quadruples fugues mme si cela semble paradoxal -, que les ultimes combinaisons, celles qui comprennent les 4 thmes, taient dj prsentes dans les toutes premires phases de la composition, tant donn que la possibilit de faire entrer les quatre thmes en strette est une condition sine qua non de la composition dune quadruple fugue. La dcouverte de la matrice de permutation tait la condition principale pour permettre une reconstruction la plus fidle possible au concept original du compositeur



di-arezzo and you :

With di-arezzo the greatest catalogue of scores online, enjoy playing music and improve your musical skills : a large choice of scores, accessories, tuition books and instruments in stock or available within a few days, always at the best price, including a fast delivery at low shipping cost all over the world !
Feel free to contact our customer service, manned by professionnal musicians, if you need any guidance.

Visitors ordering this item also ordered :

Newsletter
Help
Piano Scores
Guitar Scores
Scores for Voice