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The Dictation in Music Volume 2 - Middle of the 1st Cycle

Pierre CHEPELOV et Benoit MENUT

Original title: La Dictée en Musique Volume 2 - Milieu du 1er Cycle

With CD . level Middle of the 1st Cycle (: Volume 2) Rhythm, melody, harmony, timbre - Texts of the repertoire

Editions Henry Lemoine

Reference :

28381



22.45 £
20.20 £


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The collector of old vinyls or CDs awarded, the chorister, the amateur who plays for pleasure alone at home or who participates in a small ensemble, the professional instrumentalist, the choir or orchestra leader, the composer .. Yes, no doubt, but are they all good musicians? In reality, experience only holds this qualifier to a small number of people. If we try to analyze the reasons for this limited choice, we end up realizing a correlation between this qualifier and an exceptional quality of listening recognized to these people in their behavior, their words, their writings. The whole interest of the collection of Pierre Chépélov and Benoît Menut lies in this search for the development of listening. In the same way that there are several levels of reading, there are several forms of listening. It can be selective, global, analytical, structural, formal ... Far from a certain pedagogical ease, this collection combines the attraction and the knowledge with a rigor of progression in the widening of the capacity of hearing. The richness of the musical proposals must make it possible to define and work all the parameters of the sound. Thus, students and students will see their listening skills deepen and enrich themselves to release, beyond the mere success of an exam, the pleasure - both intellectual and sensual - of a musical audition, at the concert or at home in an armchair. Marguerite Labrousse The dictation remains essential in the formation of the ear of the musician. This book offers dictations from a wide repertoire ranging from the Middle Ages to today's music, using quality recordings. Its division into six chapters makes it possible to develop listening from different angles - each chapter having its own progression. Rhythm: Mono and polyrhythmic dictates. Melody: Monodic and polymelodic dictates. These two chapters ask the student to perceive the articulations of the musical phrase. Harmony: Different aspects of harmony are discussed in this chapter: vertical intervallic listening, recognition of chords as colors (ciphering), and feeling of the functional and cadential logic of the tonal system. Stamps: From a reduction or an orchestral score, the student is asked to recognize the colors of the instruments, alone or mixed with others. Mixes: They bring together, on the model of the usual dictation with missing parts, the notions of the four previous parts. Fault Screening: This work requires the student to hear what is written inside, so that it can be compared with the error-free version of the disc. It is the daily life of the interpreter brought to correct partitions sometimes riddled with errors ... The CD provided allows the pupil to listen to the dictations processed in class, and / or to do it autonomously. This collection is also intended for the student who wants to train outside the class, the student in musicology, as well as the connoisseur - it is also a practical and effective material for a support class, an upgrade for an exam, and can be used as a workbook. Of course, these texts must be memorized, sung, played on the instrument ... Thus, the pupil realizes the indispensable link of the writing obtained to the individual and collective musical production. Benoît Menut - Pierre Shépélov




Pierre CHEPELOV et Benoit MENUT - The Dictation in Music Volume 2 - Middle of the 1st Cycle - Sheet Music - di-arezzo.co.uk
20.20 £




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