A une étoile (alfred de musset)
Adieu (stéphane bordèse)
Ah! could i clasp thee in mine arms (ah! te serrer dans mes bras) (lov
Aimons-nous (théodore de banville)
Au fil de l’eau ( la dame aux camélias) (albert willemetz)
Au pays musulman (henri de régnier)
C’est à paris ! ( la dame aux camélias) (albert willemetz)
Chanson “danse, petite sirene” (maurice magre)
Dans l’été (m. desbordes-valmore)
I know you love me not (non vous ne m’aimez pas) (love without wings)
J’ai caché dans la rose en pleurs (armand sylvestre)
Le marchand de marrons (paul collin)
Mon rêve était d’avoir ( la dame aux camélias) (albert willemetz)
Naguère, au temps des églantines (catulle mendès)
Oh! for the wings of a dove! (avoir des ailes de colombes) (mary robin
The fallen oak (le chêne mort) (love without wings (avoir des ailes))
Vocalise-étude pour voix grave (souvenir de constantinople).
With the music for piano, the melody is the first genre addressed by Reynaldo Hahn (1874-1947): endowed with a light baritone voice, the young prodigy embarks on the conquest of the Parisian salons by singing the works of his favorite authors (Gounod, Massenet, Fauré), but also his own compositions, which captivate the audience.
Finely chiseled, these melodies still retain a natural whose power of seduction remains intact, as evidenced by the success of the first two volumes.
The third collection will be for many a revelation since it brings together for the first time melodies published separately in various journals, to which are added the cycle Love without wings (1904, on melancholic poems by Mary Robinson) and the series of songs interpreted by Yvonne Printemps in the film La Dame aux Camélias (1934), which was at the time on everyone's lips.
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